Gosh do I really, really want to like “Honey Don’t!,” the second neo-noir lesbian thriller from the unconventionally married team of Ethan Coen and Tricia Cooke. I really, really do. But, honey, I just don’t.
After last year’s “Drive-Away Dolls” was decidedly mid (am I using that right, youths?), I continued to hold out hope that the second installment of the lesbian noir anthology film series would be better. You know, perhaps this could be a whole learn from your mistakes scenario and make a better movie situation. Alas, that would be a no.
In their second installment, they’ve just swapped out the first movie’s known names (Matt Damon! Pedro Pascal! Beanie Feldstein!) for new known names (Aubrey Plaza! Chris Evans! Billy Eichner!) and kept Margaret Qualley as their lead/muse.
I will say, I like Qualley’s acting better in this film. She never read authentically queer to me in “Drive-Away Dolls” and that accent – yeah, don’t even get me started. So I believe her queerness a little more here, though that’s probably because Aubrey has chemistry with every female co-star ever.
Both films have tried to blend irreverent, screwball humor with edgier, rampant violence to mixed effect. “Honey Don’t!” seemingly has some things to say about patriarchal power structures and the sexual exploitation of women therein. But it can’t help blowing it all up with a “shocking” third act. [Skip the next paragraph if you don’t want to read spoilers.]
SPOILERS: … Yes, they really made Aubrey’s lesbian cop character the killer, and a pretty psychotic one at that. The final showdown scene is fairly horrific/nightmare fuel. Even their earlier bar scene (which, hello, among the straights like that?) and their hookups can’t erase those images. I’ll never look at my tea kettle the same again. /END SPOILERS
Despite my disappointment, I know I’ll end up watching whatever third installment they eventually release. Because, well, I’m a sucker and also as I’ve said I really, really want to like this lesbian noir trilogy. Fool me three times, shame on you, me and the universe I guess.
3 comments:
I heard really bad things about this one so after reading yours I’m really glad that I did not go
NO, Plaza in my opinion has aged out of that identity thing that she had going on in her early 20s, for lack of better words, that Racial Ambiguity she initially possessed is rapidly disappearing.
As far as I can tell, it will depend on how she navigates through life with the phenotype that she will develop as she ages, and how it presents in her circle or, profession. If you don't know what I mean, then it sucks to be you.
I loved Drive Away Dolls, so I'm probably going to really enjoy this one too
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